Thailand

GIANT WILD MEXICAN SUNFLOWER BLOOMING SEASON

November 1 – December 5

Doi Mae U-kor, Mae Hong Son

The hills and valleys of Mae Hong Son, one of Thailand’s most naturally scenic areas, turn to gold when the Dok Bua Tong Giant Wild Mexican Sunflower (Tithonia Diversifolia) comes into full bloom during this period.

Doi Mae U-kor mountain peak in Khun Yuam district of Mae Hong Son is considered to be an excellent location to enjoy the splendour of the sunflowers in full bloom.

When the flowers fade, the seeds are collected and made into insecticides.

Contact information: ?Tourism Authority of Thailand, Mae Hong Son Office?Tel: +66 (0) 5361 2982-3?Fax: +66 (0) 5361 2984?E-mail: tatmhs@tat.or.th

PHIMAI FESTIVAL

November 11 – 15, 2009

Phimai Historical Park

An annual festival held for more than a century, the traditional long-boat races draw thousands of visitors from all over. This event is further enhanced by a light and sound presentation at Prasat Hin Phimai, local art and cultural performances, various fun-filled competitions, and sales of local products and exhibitions.

Contact information: Tourism Authority of Thailand, Nakhon Ratchasima office Tel: +66 (0) 4421 3030, (0) 4421 3666?Fax: +66 (0) 4421 3667?E-mail: tatsima@tat.or.th

Phimai District Office ?Tel: +66 (0) 4447 1617, (0) 4448 1853

SURIN ELEPHANT ROUNDUP

November 14 – 25

Surin

They tip-toe over lines of brave volunteers. They play soccer and basketball. These giants can even dance. Enjoy a festival honoring elephants held every November in the Thai province of Surin. There’s a serious side to the celebrations too – increasing urbanisation is threatening the traditional way of life for these lovable creatures.

See festival focus for more details.

Contact information:?Tourism Authority of Thailand, Surin Office?Tel: +66 (0) 4451 4447-8, (0) 4451 8529?Fax: +66 (0) 4451 8530?E-mail: tatsurin@tat.or.th

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RIVER KWAI BRIDGE WEEK

NOVEMBER 25 – DECEMBER 8

Kanchanaburi

Each year in late November to early December, the world famous River Kwai Bridge built by Allied prisoners-of-war during World War II , becomes the focal point of celebrations.

Event highlights include historical and archaeological exhibits, a carnival, folk and cultural performances, rides on World War II vintage trains, and a spectacular light and sound presentation re-enacting the bridge’s World War II legacy.

Contact information: Tourism Authority of Thailand, Kanchanaburi Office Tel: +66 (0) 3451 1200, (0) 3451 2500 Fax: +66 (0) 3451 1200 E-mail: tatkan@tat.or.th

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BANQUET FOR MONKEYS

November 29

Lop Buri

For one day in the Khmer ruins near Lop Buri, the trestle tables are adorned with fruit, drinks, lollipops and all the good things those cheeky monkeys steel from tourists – 600 monkeys take their seats for a banquet lunch feast.

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Asia at Large

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HOKKAIDO ISLAND IN WINTER

Tucked away in the northernmost corner of Japan’s archipelago is a sparsely-populated island rich in wild bird life and bubbling hot springs. Winter is the best time to visit Hokkaido Island when its snowy beauty can be appreciated at its best.

Removed from ultra-modern Japan’s hustles and bustles, it is blessed with a wealth of natural wonders that include virgin forests, pristine snow fields, picturesque volcanoes, and tranquil lakes. On top of that, Hokkaido is home to myriads of wild bird species, such as swans and Japanese cranes – the local avian immortals.

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BONN OM TOUK – WATER FESTIVAL

November 11 – 13

Tonle Sap

Get ready for Cambodia’s biggest festival. Locals go bananas celebrating a natural phenomenon – the reversing of the current of Tonle Sap River – with wild, decorated boat races and fireworks. Nationwide but Phnom Penh and Siem Reap are best.

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BLACK-NECKED CRANE

November 11 – 12

Bird Sanctuary Phobjikha

Bhutan

An annual celebration of a bird much beloved by the people of Bhutan as they arrive from their winter migration from Tibet. Since the first Crane Festival was held in 1998 this has become an annual event organized by the Phobjikha community with assistance from RSPN. All guests to this festival will be asked to pay USD 50 which will go towards the organizational costs and the development of the Phobjikha community

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Festival Focus

Thailand

ELEPHANT SHOW AT THE SURIN ELEPHANT ROUND-UP

November 21 – 22, 2009

08.30 – 11.00 hrs

Srinarong Stadium, Surin

Act 1

Calling on the Gods — An Invocation RitualThe show starts with ‘wai kru’, a solemn ritual performed as a gesture of respect to ‘grand masters’ and mentors in martial arts as well as the performing arts.

Indra, the Vedic god of the sky, clouds and monsoon and Guardian of the East, descends to earth on his mount, Erawan, a handsome elephant. National artist, Krujang Klaisritong, recites verses of poetry.

Act 2

Descent to the Human Realm

The scene opens with children in the village bonding with baby elephants. The children, dressed in traditional costume, play with the elephants.

The relationship between the career mahout and his elephant often goes back a long way to their respective childhood days. In rural communities, where elephants have been kept by a family for generations, age-old knowledge and skills in the care and control of elephants are passed down from father to son. At the same time, generations of elephants are born into the family unit. As man and elephant depend on each other, the elephant is treated as a member of the ‘family’.

Young boys and baby elephants grow up together with the young boys given an opportunity to work with the elephants, preparing them for what becomes a lifetime with one particular animal. A life-long bond is forged. The relationship is based on affection and complete trust in one individual. The elephant is very loyal to its mahout.

Act 3

Hunt for the Leader

In the wild, elephants live in herds, led by ‘cha klong’, the mighty leader of the herd.

Act 4

The Capture of Wild Elephants

In times past, the capture of wild elephants was an extremely treacherous undertaking requiring tremendous expertise. The men of the village would be away from home for months. Over 300 domesticated elephants will take part in this demonstration of ancient techniques used in the capture of wild elephants. Act 4 includes a demonstration of the “Phi Pakarn” sacred ritual which is performed to ward off danger during elephant round-ups.

Surin Province is the home of the Kui, who, for centuries, have tended to and trained elephants for use throughout the country. The “Kui” tribe (or “Suay” in Thai) are thought to have migrated from Cambodia to settle largely in the northeastern provinces near the Cambodian border. Known for their expertise in capturing, domesticating and training wild elephants, the life-long relationship of the mahout with his elephant is an integral element of Kui culture, tradition and the way of life. The elephant is his companion and a family member. These handlers have great respect for their elephants.

Act 5

Celebrations: Every day life and traditions

The local culture, customs and traditions featured in this scene reflect the inseparable ties and the relationship of respect that exists between man and the elephant.

Act 6

From Forests to Domestication

This scene provides a demonstration of techniques used in the capture of wild elephants and training techniques for elephants at work.

There has been a long history of the domestication of elephants and through the centuries, these graceful creatures have been an integral part of the Thai way of life. Considered to be an auspicious creature, the elephant’s association with the three key institutions of the country — nation, religion and king, through the centuries, led to its elevation to the status of national symbol.

Regarded as the symbol of prosperity and power, and grace, befitting that of a monarch, in ancient times, elephants were used as mounts in times of war. The more elephants a king possessed, the more powerful he was perceived to be. The use of elephants in royal ceremonies and rituals still prevails today. White elephants or Chang Samkhan, symbolic of the king, are still considered to be auspicious animals and are especially prized.

Historically, elephants were principally involved in the transportation of people and goods. While there are endless accounts of legendary “war elephants” at the service of the kings of Siam, only a few of the finest elephants were trained for combat and served in the first line of attack. Most were used solely for transport.

Act 7

Elephants in Warfare

This is a presentation of the ancient art of warfare on elephant back.

Act 8

Grande Finalé and Farewell

The Surin Elephant Show closes with some 2,000 performers in full costume on stage and hundreds of elephants.

Tickets are on sale at 800 baht, 500 baht and 300 baht.

Contact information: Tourism Authority of Thailand, Surin Office Tel: +66 (0) 4451 4447-8, (0) 4451 8529 Fax: +66 (0) 4451 8530?E-mail: tatsurin@tat.or.th

Getting to Surin

By Car Take Highway No. 1 (Phaholyothin Road) to Highway No. 2 (Mittraphap Road) in Sara Buri and follow Highway No. 224 through Chok Chai. Then turn left into Highway No. 214 to Surin province. The distance is 450 kms.

Alternatively, take Highway No. 1 (Phaholyothin Road) to Highway No. 2 (Mittraphap Road) in Sara Buri and follow Highway No. 226 passing through the districts Chakkarat, Huai Thalaeng, Lam Plai Mat and Buri Ram province to Surin. ?The distance is 434 kms.

By Bus Daily bus services depart from the Northeastern Bus Terminal on Kamphaeng Phet 2 Road (Morchit) in Bangkok. The trip takes approximately 6 hours.

Contact information: Tel: (0) 2936 2852 – 66

By Rail Daily train services depart from Hua Lamphong Railway Station.

Contact information: State Railway of Thailand Tel: (0) 2223 7010 or (0) 2223 7020

By Air PB Air flies to Buriram Airport in Satuk district.  The distance from Buri Ram province to Surin province is 50 kms.

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Philippines

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BELEN SA MAKATI

November 1- December 16

Makati City

Conceived in 1987, façade of buildings along the City business district particularly Ayala and Buendia Avenue are decorated by cr?ches and complemented by locally made lanterns in celebration of Christmas on the birth of Jesus Christ.

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ANGONO ARTS FESTIVAL

November 5 – 25

Angono, Rizal

The festival aims at creating awareness and appreciation of Philippine Art and Culture; and promoting arts and culture as vital attraction for local and foreign tourists. Rizal has the potential of becoming a tourist destination particularly in the field of arts and crafts. It is known as the home of various national artists, musicians, and other equally creative artists.

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PINTAFLORES FESTIVAL

November 5

San Carlos City, Negros Occidental

The emerging festival of San Carlos City, highlights the traditional fiesta celebration in honor of its patron Saint San Carlos Borromeo on the first week of November. It features street dancing by “tribes” dressed in colorful ethnic-inspired costumes, their bodies painted with flower designs reminiscent of the tattoed Visayans of the Pre Spanish Negros.

For inquiry please contact: c/o City Tourism Office San Carlos City Tel. No. (034) 312-5112; Fax (034) 312-5408

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HELOBONG FESTIVAL

November 9 -15

Lake Sebu, South Cotabato

One of the prettiest places in the Philippines becomes even more attractive this month, as its native residents celebrate a week-long cultural fiesta. See the T”Boli culture in its colorful best through the natives” traditional songs, dances and crafts.

For more information please contact: MR. CESAR SULIT?Provincial Tourism Officer, Office of the Governor?South Cotabato, Tel./Fax No.: (6383) 228-3447

Published by Traversing The Orient Magazine. You want to make an online travel business? Please go to www.web.com.

Festival Roundup

Photography by Ben Owen Browne

Exciting findings and theories spun throughout the room, rapidly charging the atmosphere and raising the tone to fever pitch. The intoxicating questions and answer exchange elated both sharp-minded audience and deeply learned professionals.  So what was all this hurly-burley about? Why had so many enthusiastic renowned professionals and hundreds of volunteers dedicated so much time and effort to this rather obscure intellectual endeavor?

Organized and conducted through the dedication of scores of French-, Japanese-, German-, and English-speaking National Museum Volunteers and docent guides from across the globe, this was the First International Dvaravati Symposium. In the exhibit hall opposite the symposium was the focal point; the current Dvaravati exhibition at the National Museum Bangkok, manifesting the result of several years of cultural cooperation and exchange between the Thai Fine Arts Department and the French government.

So what is or was Dvaravati? It was, and still is, all about the Golden Land of Happiness, known in Buddhist scriptures as Suvarnabhumi. The name Dvaravati wasn’t even known until the end of the 19^th century when the work of the French archaeologist Lucien Fournereau brought the polity to light. In 1927 the Thai Fine Arts Department, under the direction of French archaeologist George Coedès, uncovered more artifacts. Still, the mystery remained shrouded as the Thais struggled with the concept that another culture had been in existence on their soil many hundreds of years before theirs.

After decades of intensive excavation and research carried out, exquisite objects surfaced, bearing witness to the “glorious merit of the Lord of Dvaravati”, as inscribed in Pali (the language of ancient Buddhist scriptures) on the many silver coins that proved the existence of the once flourishing kingdom and culture.  The discovery of so many energetic, earthy, confident and smiling artifacts was a shock, more so because the Mon ethnic minority had been marginalized in modern Thai culture.

Presently, a “Dvaravati Wave” is sweeping through Thailand, evidenced in the modern adaptations of the ancient sweet-smiling Dvaravati buddhas and deities in popular home and garden décor. When a Thai professor recently told a Thai audience that this culture was non-Thai, he was mobbed. Thais suddenly want to claim Dvaravati as their own, which is hardly surprising considering the high level of sophistication and craftsmanship coupled with a sense of joie de vivre and dynamism that imbue the arts in this exhibition.

Dvaravati is the name that comes from the designation To-Lo-Po-Ti that ancient Chinese monks had given to a Mon kingdom in the Chao Phraya River basin from around the 6^th to 11^th centuries CE (i. e. the term for AD, or Common Era in museum talk).  The roots of their culture may have gone back to as far as the 2^nd century in the area of Pong Tuk, west of Bangkok, and experts believe they may have practiced a sun-worshipping cult.  Since the 4^th century it had taken on Indian religions and systems of statecraft, art and architecture.

Visitors to the exhibit are met with some fascinating insights into the life, beliefs, and aesthetics of the pre-Thai Mon people. Modern scholarship, citing the discovery of medals with the Pali inscription “The Glorious Merit of the Lord of Dvaravati” on one side, has shown that Dvaravati was a 7^th-8^th century Mon kingdom, not necessarily contiguous, but joined like a mandala, with Nakhon Pathom at the center.

The distant colony of Haripunchai and the far-flung settlements in the four directions radiate out from the hub capital of Nakhon Pathom. These moated city-states were each laid out in an oval or spiral form to echo the conch motif and to reinforce defenses (the word “Dvaravati” means “Possessing Gates”).  Though as a state it lasted only a short time, as a style of art it spanned the 6^th through the 11^th centuries.

Adorning large sculptures and stone dharmacakra Wheels of the Law with their pillars, and cave sculptures as far as Chaiya in the deep south, their influence spread further east and may have been the inspiration for the art canons of Angkor and Champa (ancient southern Vietnam).

An iconography unique to Dvaravati, and existing nowhere else in the world of the art, is found in the mysterious stelae of Buddha on Panasbati, an enigmatic chimera made from the vehicles of the Hindu Trinity. Brahma’s swan Hamsa is represented by the large wings attached to the beaked face of Vishnu’s mount Garuda, who sports the horns of Shiva’s bull Nandi.  Standing astride the panasbati, Buddha, with hands raised in the teaching gesture (vitarka mudra), descends from having preached to his mother in Indra’s Tavatimsa heaven. He is attended on left and right, variously by Brahma holding a fly whisk and Indra holding an umbrella, or by bodhisattvas holding loti. Sometimes they are riding the sun-god Surya. All figures, whether Buddhist or Hindu, are smiling, none feeling oppressed by the others.

Both Mahayana and Theravada and perhaps one or two other sects of Hinayana Buddhism, as well as Brahmanism, each in harmony with the others, fulfilled their own functions in the Dvaravati civilization and cultures.  The people were devoted to the Buddhist sects and the Brahmanical rites were necessary to consecrate and give validity to the kingship.  Experts believe it is even possible that these intriguing stelae of Buddha on Panasbati were used in the coronation rites.

The Mon racial characteristics appear in the sculptures, such as fat, soft, moist and sometimes pointed curls on the head of the Buddha, a flat face, prominent cheekbones, curved and connected eyebrows, protruding partly closed and downcast eyes, broad nose, and thick lips.  Further, a delicately upturned line accentuates the silhouette of the well-defined lips in the case of Buddha statues, which also have a somewhat pointed nose.

It would seem that some joie de vivre, frivolity, and passionate expression of enjoyment ceased in the fine arts with the end of Dvaravati and the establishment of a god-king state in Thailand.  Perhaps the current struggle of Thai artists to find a common language of artistic expression in secular forms of art today is the resulting reaction to the suppression of former ages.  They could, perhaps, take inspiration by looking back to the arts of the Dvaravati.

This exhibit was first mounted for the Musee Guimet in Paris, where it enjoyed an extended showing, and includes works from many of the national museums in Thailand, that will return to their homes after the close of the exhibit.

The exhibit in Bangkok was mounted by the French Embassy, as the culminating event in this year’s French cultural festival, La Fête.

On until October 9 in the Issaravinitchai Throne Hall of the National Museum Bangkok, on Na Phrathat Road, across from the Sanam Luang Parade Ground and next to Thammasat University.

Hours:  Wednesday thru Sunday, 09:30-16:00.  Telephone 02-224-1333 or 02-224-1404.

Photo Captions:

Typical Dvaravati motifs found in this exhibit were carried along the trade routes from the Amaravati culture of India, including the sunrise, the conch, the purnaghata (pot of plenty), the Brahmanic hourglass hand drum, a special four-petal flower, rhombuses, strings of pearls derived from ancient Persian art (where they signified the glory of the king), acanthus leaves and other special foliate motifs.

Further characteristics are a low conical ushnisha (the cranial protuberance), topped with a round or lotus-bud ketumala (the finial radiance, symbolizing the Buddha’s further enlightenment), the portrayal of very large teaching Buddhas sitting with legs pendant, and a sheer U-shaped robe that clings to the body.  In the later part of the Dvaravati period, the Buddha performs the same mudra (hand gesture) with both hands. However, the Dvaravati works tended toward simplification, with a more human and not so conspicuously supernatural anatomy; and, if they were not as refined as their Indian models, they were more vigorous

The current exhibition includes the bronze oil lamp found in 1927 at Pong Tuk by Georges Coedès that has fomented much argument among scholars over the last century. Originally thought to be ancient Roman or Alexandrian, it has recently been proved to date to the Byzantine Empire of the 5^th-6^th centuries CE or possibly later.  It became the model for a style of ceramic long-nozzled oil lamp unique to the Dvaravati culture that helps to date Dvaravati’s beginnings.

The miniature sculptures of a naked pubescent boy holding a bunch of grapes, representing the fullness of manhood, and a monkey on a leash, symbolizing the tethering of rebellious and agitated emotions of adolescence, portray in a very poignant style youth’s determination to dedicate themselves to the teachings of the Buddha.  The bulla case of talismanic scriptures around the boy’s neck defines these statuettes as amulets to protect the boy on his journey to manhood. Such statues are found only in the Indian and Dvaravati cultures.

Published by Traversing The Orient Magazine. You want to make an online travel business? Please go to www.web.com.

The grand Dvaravati event

It was a successful event capped by a Gala Dinner at the pres­tigious Sofitel Hotel Ballroom. Manila society stalwarts included an ex president, congressmen, diplomats and business tycoons alongside a number of beautiful and ac­complished ladies.

During the event, Smart Infinity gave several awards to their most de­serving clients. The event was hosted by Johnny Litton and Tessa Pri­eto Valdez; guests were treated to a special program which included a performance by Leah Salonga.

The highlight of the evening was Tony Blair’s speech, which he ended by saying that he would very much like to visit the Philippines once again.

Published by Traversing The Orient Magazine. You want to make an online travel business? Please go to www.web.com.

Tony Blair at Manila’s Sofitel Hotel

The heat was harsh and suffocating that mid-after­noon. My eyes squinted, recoiling from the blind­ing sun. Summer was set­ting in, searing and blaz­ing as summer should – and I was the only one who seemed to mind.

Spectators came in the hundreds, spilling out of the bleachers on either side of the newly refurbished grandstand glistening white under the sun. Hundreds more were holding their position in a long line, waiting their turn to enter the open stadium – young athletes suited up in jacket and sweatpants and school bands in satiny ensemble. The vibrant colors they wore exploded on the vast field and against the expanse of a powder blue sky. All of them had been waiting for hours but the plane bearing some VIPs left Manila almost two hours behind schedule.

It was practically a red-letter day for the town of Odiongan and especially the entire island province of Romblon. It was the first time in 45 years that a regional athletic event was being held here and the people’s excitement was palpable.

This cluster of twenty islands is smack in the heart of the Philippine archipelago. Romblon lies on the Sibuyan Sea and is located 346 km south of Manila, which translates to a 45-minute ride via a light aircraft or about a half-day’s trip by ship. It is a known source of excellent quality marble comparable to Italy’s. The island teems with not only marble but also gold, granite, nickel, silica, mercury, zinc, copper, silver, limestone, sulfide, ores, kaolin, clay, magnesium and quartz.

Romblon once belonged to the Western Visayas then to Southern Luzon region. In 2002 when the latter was broken in two groups, Romblon became part of the regional grouping called Mimaropa, the acronym for its member provinces of Mindoro, Marinduque, Romblon and Palawan. It is a humble third class province but it was witnessing a proud moment in its history. Hosting the Mimaropa Regional Athletic Association meet for 2009 from February 22 to 26 was a big deal. Managing the event required political mus­cle and considerable expense but it was pulled off with aplomb through the leadership of Governor Natalio “Jojo” Beltran III, as well as Congressman Eleandro Madrona.

“Romblon is a neglected province, largely overlooked and forgotten”, said Governor Beltran. This is something the first-term provincial governor is endeavoring to change. To put Romblon back into the country’s conscious­ness, Governor Beltran makes no qualms about using influence and connec­tion or spending huge sums of pesos to prepare the province for an enor­mous event such as this regional sports competition. He believes these are investments that will bear fruit economically for his beloved province over the long-term. Meanwhile in the short term it is re-instilling in Romblo­manons a sense of pride in themselves, their province and way of life. Theirs is a simple living in charming bucolic islands that is incredibly endearing largely because of the geniality of the local folks. People one passes by on the streets can hardly be called strangers because of the welcoming smile on their faces.

A middle-aged woman seated next to me in the grandstand enthusiastically cheered on Romblon’s contingent which was then entering the open field. “Go Romblon!” she shouted over and over. Then to no one in particular, in an attempt perhaps to explain her fervor, she added, “This might not happen again in a long time.”

People swarmed all the events held, even those in which homegrown players were not a part of, their eagerness made me feel like I was witnessing a once-in-a-lifetime event. Athletes in high school competed in 17 sports events while those in grade school battled in 16.

The town of Odiongan came to a virtual standstill on the day of the championship matches, especially when Romblon’s players in elemen­tary and high school girls’ volleyball were vying for top place. The town was abuzz with anticipation the night before the games, I could hear people saying they will see each other early in the morning at the sta­dium.

That morning the sun rode high and bright on a nearly cloudless blue sky. Games were simultaneously being held on the wide field but Romblomanons’ eyes were closely glued on the two involving their kin. The softball and volleyball teams both had a twice-to-beat advantage and the crowd was optimistic they would triumph. However, Romblon’s boys’ softball team were playing against much bigger players from Ori­ental Mindoro who out-hit and outran them after seven innings in two face-offs. At the end of the match, the young boys walked from the field, arms around each other’s shoulders for comfort, some of them weep­ing.

The girls’ volleyball team was faring much better in spite of going against the formidable defending champions from Puerto Princesa in Palawan. The rafters shook with every shout, stomp and jump of the crowd. Both teams took one set each and by the third set the crowd was on its feet. The cheering competition between the supporters of the rival teams was as intense as that of the players on the court. Each side would roar over every ball contested and point scored. Occasionally they would taunt each other in good spirit. The game in the court was undeniably excit­ing, just as the one unfolding in the sidelines was interesting. Though young, both teams were skilled and tough but maybe morale boosted by the home crowd made a huge difference. Romblon unseated the de­fending champs in that game to much celebration.

At the final tally, Romblon finished fourth among seven teams in the elementary division and third in the high school category. During the opening ceremonies, various officials extolled the values of sportsman­ship, how playing the game is more important than winning it.

Jesli Lapus, education secretary, however, boldly challenged young ath­letes to aspire for more. “Excellence is okay; perfection is the goal.” Mi­maropa’s best athletes will compete with the country’s finest come April 26 to May 2 at the Palarong Pambansa, or the national games that is the gene pool of the country’s future contenders to international competi­tions. A role model for emerging athletes, es­pecially for Romblomanons is track and field star Elma Muros, hailed at the Southeast Asian Games in 1997, the heptathlon queen has her roots in the province.

Romblomanons expect their young athletes to do better in the years to come – and Gover­nor Beltran pledged more support for sports development – especially in swimming which had become a running joke among locals. Governor Beltran and his partner Congress­man Madrona built a P8 million Olympic-size pool, an attraction in itself, in the capital town of Romblon. Athletes, however, were not able to train or practice in the pool prior to the game. One person after the other told the story that swimmers were not used to a swimming pool, having practiced in open sea, so much so that they could not turn around properly at the end of a lap. A local blogger even said Romblon would have finished at a higher spot had they performed better in the swimming competition.

Disappointing losses and modest victories aside, the Romblomanons were on high spir­its throughout the five-day athletic meet – and rightly so, for they may very well be celebrat­ing a forthcoming renaissance.

Published by Traversing The Orient Magazine. You want to make an online travel business? Please go to www.web.com.

The 2009 Mimaropa RAA Meet in Romblon

There’s an old Irish saying that reads, “An Irishman is never drunk so long as he can hold onto a blade of grass to keep him from falling off the earth.”

The fact that there are barely any blades of grass left in Bang­kok means there’s going to be a lot of drunken Irishmen this coming St. Patrick’s Day. Falling off the face of the earth, perhaps not, but toppling off the barstools in any of Bang­kok’s growing number of Irish bars, with a Guinness in hand and a song in their hearts – to be sure.

St. Patrick’s Day falls on March 17, the day Ireland’s patron saint was said to have died, way back in 461 AD. Born in Roman Britain in 385 AD, the unfortunate lad, Patrick, was captured by Irish raiders at the age of 16 and taken to the Emerald Isle as a slave. After six years working in captivity as a herdsman, he heard a voice telling him a ship was ready and the time had come to return to his family in Britain. Later returning to Ireland as a Bish­op, spreading the good word and wondering how on earth he ever managed to find himself in such a predicament – he was, after all, an Englishman.

Fast forward 15 centuries to March 17, 2009 to see Irish eyes from Argentina to Bangkok smiling in appreciation – if not for his holy deeds, then for giving millions of us around the world a good excuse for an annual piss up. There are estimated to be at least 80 million people around the world that have a drop or more of Irish blood coursing through their veins.

These include one-third of all US presidents, Argentinean-born revolution­ary Che Guevara, numerous great poets such as Oscar Wilde and Shane MacGowan, and, some even claim, God Himself – but that might just be the Guinness talking. The point is the Irish are everywhere; you can’t avoid them so you may as well join them.

And if you find yourself in the City of woe begotten Angels on the big night, the choice of Irish bars is wide and growing. Bars awash with green to look out for include the Dubliner on Sukhumvit near Soi 22. Here, the welcoming wooden interior and liberated road signs from Eire will blur with the down­ing of stout. And once you have rekindled the thirst with the sacred vision of Irish liquid, where better to honor it than with a pint or two at the newly opened Temples Bar on Sukhumvit Soi 11. These might be hard times, but they are also modern times and Temples Bar brings the Irish right up to date with a contemporary touch.

Swagger further down Sukhumvit to notorious Soi 4 and settle your staggering limbs in Hanra­han’s. The views sweet and the whisky is neat, but if you feel the live performers, Tets could quite possibly be a 21st century reincar­nation of the great 18th century Italian violinist, Niccolo Paganini. Hold onto your seat while he manically blends Toccata with an Irish song, danc­ing a jig through the bar whilst setting fire to the strings. Down enough of their Irish whisky, then squint at the emerald green interior and you might just catch a glimpse of the green fields of home.

If you’ve had enough of nostalgia, then turn your back and cross the street to enter O’Reilly’s on the Patpong side of Silom Road. This bar certainly lives up to the “pong” of the street, but by this stage of the evening the sewage should be neutralized by streams of whisky.

However, if the noise and the chaos of Patpong becomes overwhelming, then take a short taxi ride up Silom Road to Jameson’s, located at the foot of the Holiday Inn. Subdued lighting, dark wood paneling, red upholstered booths and green lampshades make Jameson’s the perfect spot for those who want to simply wind down.

To hell with Irish guilt, indulge yourself, and if you do fall flat on your face as you step out of the bar in the early hours, then just kiss the paving slab and it’ll all turn green in your dreams.

Published by Traversing The Orient Magazine. You want to make an online travel business? Please go to www.web.com.

Irish Eyes Are Smiling

Anisa Hassan, CEO of “It’s Just Lunch”, talks to TTO about the latest dating trends, the benefits of inter-ethnic relationships and gives some insider advice to our readers on how to prepare for a first date.

Q. Anisa, your company is called “It’s Just Lunch”, can you explain the name?
A.H. It’s Just Lunch (IJL) is an intelligent and fun dating solution for busy professionals. When the founder of IJL was dumped just five weeks before walking down the aisle, she created a unique way for singles to meet other like-minded singles… setting up a date over lunch! Being busy executives and professionals, lunch provides a stress free and low pressure way to get to know other single executives. After all, everyone has time for lunch. So why not throw in an element of fun by meeting someone new at noon time?

Q. You mentioned the term “road warrior” the other day, who would you describe as the Road Warriors?

A.H. In our most recent It’s Just Lunch survey, we found out that many of our clients spend a lot of time “on the road” – this means they travel frequently. The term road warriors mean these jet-setting, frequent-flyer executives no longer need a physical office to function as they can operate from almost anywhere with their laptops and blackberries. More than 40% of IJL clients in both Singapore and Bangkok can be termed as road warriors because of their corporate lifestyles.

Q. IJL just launched inter-city dating can you explain the benefits it brings to your clients?
A.H. Understanding the needs of these “road warriors”, IJL has pioneered what we term “inter-city dating” between two cities, namely between Singa­pore and Bangkok. From our survey, we found out that many of our clients travel frequently between these cities either for work or pleasure. Along with the accessibility of budget airlines and frequent flights, more than 20% of IJL clients are opting to meet singles in both cities. With more singles who come from varied backgrounds to choose from, IJL clients see the immediate ben­efits of “casting their nets far and wide”. Besides, meeting someone new who has been carefully selected by IJL consultants can be fun and exciting. For women, safety issues are addressed immediately because they get to meet men who have been pre-screened beforehand. For men, they get to meet women from a different background and culture whom they would other­wise not meet if they had stayed put in their city of domicile.

Q. Anisa, could you tell us your views on how an inter-ethnic relationship can become a more enriching experience and what are in your opinion the secret ingredients that will make it or break it?

A.H. With the onset of globalization, inter-ethnic relationships will soon become more mainstream. A deep level of awareness and appreciation of each others cultures, race and religion will be the starting point of enriching relationships. Curiosity must be tempered with sensitivity to ensure that one does not cross the line. A person who enters an inter-ethnic relationship with an open mind can come out more fulfilled and rewarded relative to someone who thinks that his or her own race or religion is far superior than the other. A high level of tolerance, understanding as well as intellectual dis­course can do a lot to smoothen the rough around the edges. A person who’s non-judgemental yet possess the ability to articulate his or her views in a logical and calm manner would stand a better chance at having a more en­during inter-ethnic relationship. I believe there’ll come a time when people will become colour-blind and one is no longer judged by the colour of one’s skin, rather the strength of one’s character and integrity.

Q.  Do you think you could give us a description of your ideal client/date?

A.H. An ideal IJL client is a high calibre corporate executive who has achieved some measure of success in his or her professional life. He/she is highly educated, communicates well and leads an active lifestyle be it in sports, the arts and culture or the world of volunteerism. More than 60% of IJL clients are educated overseas (the US, UK and Australia/New Zealand) and they are equipped with a cosmopolitan and sophisticated outlooks to­wards love and life.

Q. Do you recall any special “Success experience” you would like to share with our readers?

A.H. The most recent success story in Bangkok revolves around a 44 year old Thai man who’s been married before and a 29 year old single Thai lady. With two grown-up children, “Neville” a medical doctor is keen to get his life back on track again but he has a deep seated fear that he will not be easily accepted by the ladies because of his history. Enter a fashionable go-getter “Sara” who is ready to begin a committed relationship. Despite being very “dateable” because of her good looks and strong character, Sara has no inten­tion of “playing the field”. She’s looking for someone mature who could guide her through life’s many adventures and she’s very open to meeting someone who’s not only been married before, but with kids. Following an intense two months of courtship, Sara was introduced to Neville’s children who simply adore her and in turn Neville was introduced to Sara’s parents who are con­vinced that Neville would make a good husband. Both are now happily en­gaged and are finalizing their wedding date.

Q. In this day and age of technology why do you think your clients want to go back to basics to find their ideal partner?

A.H. In our world of inter-connectedness, we have increasingly become de­pendent on our technologically advanced tools and gadgets to connect and interact. Sadly, we have “lost touch” with how we used to communicate with each other; face to face and in person. As a result, we have become discon­nected from each other. Even with the onslaught of online dating, speed dating and mobile-text dating, clients have come back to It’s Just Lunch over and over again, saying they want to get reconnected with their five senses once more. This means, they want to see, hear, touch, “smell” and “taste” their date… taking time to savour a good conversation and “be present”. There’s a saying “You can’t hurry love”… that’s why many IJL clients are tak­ing their feet off the pedal and are learning again to take it slow.

Q. Out of curiosity, could you tell us about your future dreams and ambitions for IJL?

A.H. I have always envisioned IJL to be a dating agency of choice among intelligent, discerning professionals who value quality dates. IJL will very quickly become an exclusive brand that busy executives trust and want to count on for fun, first dates with high success rates. I dream that more than 50% of my clients will embrace inter-city dating for its ease, convenience and value. My ambition is to introduce It’s Just Lunch in another fun, cosmopoli­tan city in three years time so I can change the way singles view dating, one date at a time.

Q. Anisa, could you give our readers you best tips on how to prepare themselves for an ideal date?
A.H. These are my sure fire tips for singles to have exciting and fun, first dates.

1. Put on a million dollar smile and adopt a positive and cheerful attitude on a date.

2. Dress up to feel good and confident about yourself.

3. Read up on current affairs and be a good conversationalist by touching on various topics of interests… please steer clear of politics though.

4. Be genuinely interested in your date by asking interesting and intelligent questions.

5. Come with an open-mind and a good measure of fun as the possibility can be endless.

Question for readers

1. More than 40% of IJL’s clients in Singapore and Bangkok are termed “road warriors”.  True   or    False

2. Provide your own original tip of what makes a good date?

Send your answers via post or email to: It’s Just Lunch Bangkok All Seasons Place, CRC Tower 36F, Suite 37, 87/2 Wireless Road, Lumpini, Phatumwan, Bangkok 10330, Thailand  e-mail : contest@ijlsingapore.com
Please include your full name, gender, age, email and cell number as you could be one of our lucky winners to win an exclusive 1 year membership to It’s Just Lunch worth THB28,000!
For more information, please visit www.itsjustlunchbangkok.com

Published by Traversing The Orient Magazine. You want to make an online travel business? Please go to www.web.com.

It’s Just Lunch

Tango Oriental, led by the charismatic Ogie Mendoza from Manila presented a must for all tango afcionados: Tango Xposed at the Dream Hotel.

The festival, organized with the help of Argentina’s Ambassador to Bangkok, Felipe Frydman, Khun Sukhumarn and Boon Choo plus all the tango clubs of South East Asia began with a party at the Ambassador’s residence and lasted for four days. Held in conjunction was an art Exhibition displaying the expressive photography of Aglin Kanginnadhi and paintings by Stefani K and her daughter Stella Prasetya.

Passionate Tango lovers from around the world were treated to a special seminar under the supervision of the one and only Alejandra Mantinan. In the evening, afer having polished their  dancing skills the participants had the chance to show of on the dance foor during an exquisite dinner at “Flava” which was followed by a breath-taking performance from Asia’s star couples;  Julieta Biscione and Roberto Castillo and Alejandra Mantinan and Gregorio Garrido.

When Tango frst became popular in Argentina it was a men only afair. How times have changed; Alejandra, dressed as a “tanguero” partnered Julieta in a sultry dance to show that ladies can do it better. Later the captivated audience got to have a taste of how passionate and erotic tango should look when you excel at the art.

The last day of the festival continued with more tango workshops for the addicted fans. Tango is part of the Argentine culture but has become a worldwide phenomenon since it’s  resurgence in the eighties.

In the last three years this event has united a family of “tangueros” in Bangkok and all over Asia. W  all look forward to next year’s event which will certainly be even more successful due to Ogie’s and Khun Suk’s creative talents.

If you are interested in fnding out more about tango in Bangkok send an email to talkntango@gmail.com

Published by Traversing The Orient Magazine. You want to make an online travel business? Please go to www.web.com.

Tango Xposed

21st October 2008 at Number 1 Gallery
Ever wondered why the works of Thailand’s northern artists have come to capture the attention and admiration of so many? Number 1 Gallery invites you to discover just why these artists are finally com­manding the attention they deserve.  “The North Faith” portrays the transgression of local culture through the work of nine artists: Pornchai Jaima Panthong Sangjan Sakol Suthimarn Songdej Thipthong Arnan Ratchawang-inn Suratin Tatana Likit Niseetanakarn Srijai Kantawang Chaiwat Kamfun ‘The North Faith’ opens on Tuesday 21st October 2008, 18.30 pm. at Number 1 Gallery, B1 Floor, The Silom Galleria. The exhibition will be held from 21st October to 22nd November 2008. Gallery opening hours are 10.00-19.00 on Mondays-Saturdays and 11.00-18.00 on Sundays. You can visit our website at www.number1gallery.com.

ART Singapore 2008

10 – 13 October, 2008 at Suntec City Level 4, Singapore
Jirapat Tatsanasomboon, Thaweesak Srithongdee, Kritsana Chaikitwattana (Thailand), Trinh Tuan (Vietnam), and Aung Kyaw Htet (Burma). Thavibu Gallery is pleased to take part in ART Singapore 2008. This is the second time Thavibu Gallery participates in Asia’s major art fair. We are bringing works by three well known Thai artists: Thaweesak Srithongdee, Jirapat Tatsanasomboon, and Kritsana Chaikitwattana; one Vietnamese art­ist: Trinh Tuan; and one Burmese artist: Aung Kyaw Htet.  110 galleries from 16 countries will participate and showcase major works by important artists in Asia and beyond. Chinese and Indian contemporary art will be well represented. It can be noted that the interest in Southeast Asian contemporary art has increased markedly – as it is a good value alter­native to art from China and India.

The Freeze

By Ariya Kitticharoenwiwat On September 27 – October 22, 2008 At Surapon Gallery
When I was a child, staring at water, whether it was moving or still, would evoke a host of images in my imagination. I would throw a handful of pebbles into the water and watch the ripples spread in concentric circles, and unless I tossed in a few more pebbles, gradually the surface of the water would calm. I also remember being fascinated by the blocks of ice at the ice factory near my house. The cold air on my skin and the blocks of ice insinuated themselves into my dreams. When I grew up, these images became a starting point for my sculptures, which tell stories about everyday life here on earth. Everywhere we are
searching for adventure. It doesn’t matter whether we are alone or wheth­er there is someone there beside us.
We move through this beautiful world always looking for images that will remain in our memory forever. Moving images are transformed into still images right before our eyes. Surapon Gallery  : 1st Floor, Tisco Tower, North Sathorn Rd., Bangkok Tel.02-638-0033-4  Fax. 02-638-0031

“Tone Poem” by Helen Lee
1st October to 30th October at Neilson Hays Library
Korean artist and pianist Helen Lee displays her new series of work “Tone Poem” at Neilson Hays’ Rotunda and Garden Galleries in Bangkok from 1st October to 30th October. This highly acclaimed artist has exhibited in Singapore, Malaysia, Australia and New York and her works are held in private collections around the world. Her paintings, while conveying an infinite number of emotions, are strongly influenced by music, offering fluid shape com­posites with bold usage of line and refined colors.
Rotunda and Garden Galleries, Neilson Hays Library 195 Surawong Road, Bangkok 10500 Tel: 02 233 1731; Fax 02 233 4999  www.neilsonhayslibrary.com Open­ing hours: Tues-Sun 09:30-17:00

Tang Contemporary Art presents Rumination by Qu Guangci
Rumination refers to the digestive system of sheep and cows, a system that involves the regurgitation of food from the stomach to the mouth for re-chewing. Chinese sculptor Qu Guangci aims to portray how present political scenarios are mere regurgitations of past events, albeit presented in a different light. His figures, sculpted in a dramatic style with slightly large heads and clumsy physiques combine the hu­morous with the tragic to create a thought provoking reflection of society at large.
Tang Contemporary Art cordially invites you to the opening on Thursday, Sep 18 2008. An illustrated publication will accompany the exhibition.
For Public and Media Enquires, please contact the gallery staff at 02-630 1114 Fax: 02 630 3264 or email: bkk@tangcontemporary.com, www.tangcontemporary.com
Exhibition period: September 18–October 11 2008 Mon – Sat 11am – 7pm (Closed on Sunday and Pub­lic Holidays)

Published by Traversing The Orient Magazine. You want to make an online travel business? Please go to www.web.com.

Asian Art and Culture